![]() ![]() If you play this exercise then you can use this rhythm on all the chords and in a lot of different places, and it already starts to sound like music. This is something that immediately gives you licks like this:Īnd you can turn that into a scale exercise like this: One way to make the rhythm more energetic could be to play the arpeggio as an 8th note triplet like this: Let’s first work a bit with making the rhythm just a little bit more interesting. ![]() Interesting Rhythms to keep it grooving and alive.Chromatic Notes to add tension and movement.Let’s add two things that we love about Bebop and Jazz: That is of course, super useful but also in itself not that inspiring. ![]() This is an important exercise! In my experience, the best way to practice arpeggios is as diatonic arpeggios in a scale like this. Practice Bebop Arpeggios, Not Just Chord Tones! So let’s have a look at some great examples of exercises that are really just “Instant Bebop” vocabulary. ![]() What you work on should really connect with what you want to play in your solos and be more than just moving your fingers. Practicing scales should not just be dry technical and boring. You want to use the things that you practice, so if your scale exercises are already solid vocabulary or solid licks then that is, of course, a lot easier. ![]()
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